Monthly Archives: September 2015

About Sisterland: An Interview with Martina Devlin

Sisterland is a 22nd century world run by women, as imagined by Martina Devlin. After a cataclysmic war in which the male population was decimated, women took over.  Men in Sisterland are controlled through the administration of testosterone-reducing drugs ‘for their … Continue reading

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TIMBUKTU

Timbuktu is a desert city in Mali (West Africa). In its day it has been, variously: a city with an aura of mystery, a prosperous trading centre known for its book trade and learning and: dismissed in western stereotype as … Continue reading

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Interview with Nuala O’Connor (Miss Emily)

Nuala, congratulations, Miss Emily is a powerfully absorbing novel. You create a compelling, vivid impression of 19th century Amherst, the Dickinson household and the interior world of Ada, their Irish servant. And just when a reader thinks they know where the story is … Continue reading

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Artists’ Campaign to Repeal the Eighth Amendment

Today felt like a turning point – or maybe that moment when you realise the turn started a long time (32 years?) ago. By the time you see it, it’s following its own unstoppable momentum.  Enda Kenny take note. This morning, the Artists’ Campaign … Continue reading

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Interview: David Butler (City of Dis)

It may have taken David Butler almost a decade to finish writing his most recent two novels (The Judas Kiss 2012; City of Dis 2014) – but since then the publications, productions and awards have come flooding in: a poetry … Continue reading

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Barbara Hepworth at Tate Britain

Last year we were lucky enough to visit the Barbara Hepworth Museum and Sculpture Garden in St Ives. It was a foggy day – I remember because this worked to our advantage. The fog dissipated soon after we arrived in … Continue reading

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Language of the Mute (Jack Harte)

Jack Harte’s play – directed by Liam Halligan –is highly-charged from the moment two ex-pupils burst into a prefab classroom to confront a bullying, tyrannical Irish (language) teacher about their shared past. The action cleverly moves between the play’s present … Continue reading

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